Author Archives: Mark DuPré

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About Mark DuPré

Retired (associate) pastor at a Christian church. Retired film professor at Rochester Institute of Technology. Husband for nearly 50 years to the lovely and talented Diane. Father to three children and father-in-law to three more amazing people. I continue some ministry duties even though retired from the pastoral staff position. Right now I'm co-writing a book, co-writing a serious musical drama, and am half-way through writing (on my own a month-long devotional.

San Francisco (1936)

I had always thought of 1936’s San Francisco as the ultimate early studio disaster movie I hadn’t seen yet, with then-groundbreaking effects dominating the film. Actually, the amount of film covering the devastating 1906 earthquake is relatively small, but the … Continue reading →

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A Quiet Place Part II

More than a year after its planned wide release, A Quiet Place Part II is finally here. It’s a solid, well-directed, and well-acted film. It reminds me a little of Alien followed by Aliens: thefirst was a deeply felt, intelligent … Continue reading →

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A note to my readers – May 2021

First of all, thank you for being a reader. I hope you enjoy and are blessed by what you read. I have a couple of things to share with you: I have three websites in all. I hope some who … Continue reading →

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The Father

I was wrong. Not having been able to see The Father in the theater until recently, I went with the current wisdom that the award for Best Actor would of course go to Chadwick Boseman for Ma Rainey’s Black Bottom. … Continue reading →

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A note to Oscar (re: 2021 show)

Oh, Oscar, Oscar! I’ve never felt sorry for you up to now. Yes, you’ve been ridiculous, and full of self-centeredness and virtue signaling. But with the pandemic and the dearth of movies in theaters, I had faith that you would … Continue reading →

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Oscar 2021–Thoughts

One might think that this would be a strange year for the Oscars because there were so few films that got a traditional theatrical release. I thought the list to choose from would be paltry, but with extending the qualifying … Continue reading →

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Dancing Lady (1933)

For a film historian and even for just a film buff, there is almost too much going on in 1933’s Dancing Lady. It’s pre-Code, coming at the end of 1933, which already makes it worthy of special attention, i.e., what … Continue reading →

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Nomadland

Nomadland is nearly guaranteed to win Best Picture in April, and will likely bring Chinese director Chloé Zhao the second of two consecutive Best Directors given to an Asian director, the first being Bong Joon-ho for last year’s groundbreaking Parasite. … Continue reading →

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News of the World and The Dig: Two slow films for a fast-paced culture

I’ve seen a lot of films lately, but two have stuck out for their amazingly slow pace. One is the new(ish) Tom Hanks film, News of the World. The second is a new Netflix film starring Carey Mulligan and Ralph … Continue reading →

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One Night in Miami…

One Might in Miami… is an extraordinary film. For one, it’s an accomplished work from a first-time director, Regina King, already in the history books for winning Best Supporting Actress for 2018’s If Beale Street Could Talk (https://film-prof.com/2019/01/20/if-beale-street-could-talk/). It has … Continue reading →

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