Category Archives: Newer films

The 15:17 to Paris

Clint Eastwood’s most recent film came and went rather quickly, and was nowhere near the success of either Sully or American Sniper. There are many reasons for that, but also several reasons to see the film in spite of its … Continue reading

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A Quiet Place

Every so often a small, focused, even intimate film comes by and reminds us that not every film has to have CGI as a foundation, has to be loud, or needs to address the horrors of the contemporary political landscape. … Continue reading

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Avengers: Infinity War

In the “old days,” some films, for various reasons, were called critic-proof. That could mean that it didn’t matter what the critics would say, it would still be financially successful. It also meant that some films seemed impervious to any … Continue reading

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I Can Only Imagine

Oh, what a challenging task it is to analyze a film such as I Can Only Imagine! I come at film on this site (and in my class) from an artistic perspective, and as with all critics and analysts, there … Continue reading

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Black Panther

I loved The Avengers when it first came out in 2012 (https://film-prof.com/2012/05/14/the-avengers/) for how well it answered the many challenges of a first superhero franchise film. But Black Panther may well be the best Marvel film yet. It’s gorgeous to … Continue reading

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The Greatest Showman

The Greatest Showman is one of the great movie conundrums of 2017. It was tepidly received my most critics and savaged by others. Yet, over time, it’s become an unqualified popular and financial success. While Jumanji: Welcome to the Jungle … Continue reading

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The Post

The Post has been called second-tier Spielberg, and that’s true. Of course, second-tier for SS means it’s more finely crafted than 95 percent of other films. But in spite of the political perspectives brought to the film by many viewers … Continue reading

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