Author Archives: Mark DuPré

About Mark DuPré

Full-time (associate) pastor at a Christian church. Part-time film professor at Rochester Institute of Technology. Husband for 40 years to the lovely and talented Diane. Father to three children and father-in-law to three more amazing people. I preach, teach, counsel, write and plan in my real job. I teach a subject I love at RIT in my "other job," which is a lot of fun most of the time.... I play piano for our local college choir, and sing and play at church occasionally. I also have a film-related website at www.film-prof.com.

Fences

Sometimes life, responsibilities, and priorities conspire to prevent me from seeing a film I “should” see in the theater. Such was the case with Fences, which was often my number two choice to see, and never managed to make it … Continue reading

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Victoria and Abdul

The greatest service this new trifle from director Stephen Frears (Philomena, The Queen) offers is to put forth a cinematic version of a hitherto unknown story of Queen Victoria’s friendly relationship with a much younger Indian man. The real story … Continue reading

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The Lost City of Z

Finally caught up with what many critics considered one of the great films—as well as one of the most unsung—of 2016, though it wasn’t released in the US until 2017. It was stunningly beautiful, slow but in the best sense, … Continue reading

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Another of my websites is kicking into gear again

Dear Everyone: I’m re-presenting my “other” website, www.dedicatedtogrammar.com, starting next week. It’s for professionals and students that want to speak and write correctly, and not sound dumb! It’s been a while since I paid attention to it, and I’ve noticed in … Continue reading

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The Salesman (Iranian, 2016)

For MSM, “my Persian son” The Salesman is the newest film from Iranian writer/director Asghar Farhadi, creator and Oscar winner (for Best Foreign Film) for 2011’s A Separation. As with A Separation, The Saleman is a meticulously crafted, well-acted film … Continue reading

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Dunkirk

Dunkirk is extraordinary. It’s a film, yes (a real film, but more on that later), but also an event and an experience. It should be seen in IMAX if at all possible, as with much of director Christopher Nolan’s previous … Continue reading

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The Big Sick

I’ve been telling my film students for the last 20 years that they have been raised during one of the worst periods for romantic comedies in film history. I’ve encouraged them to pretty much ignore what passes for both comedy … Continue reading

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