Author Archives: Mark DuPré

About Mark DuPré

Full-time (associate) pastor at a Christian church. Part-time film professor at Rochester Institute of Technology. Husband for 40 years to the lovely and talented Diane. Father to three children and father-in-law to three more amazing people. I preach, teach, counsel, write and plan in my real job. I teach a subject I love at RIT in my "other job," which is a lot of fun most of the time.... I play piano for our local college choir, and sing and play at church occasionally. I also have a film-related website at www.film-prof.com.

The Big Sick

I’ve been telling my film students for the last 20 years that they have been raised during one of the worst periods for romantic comedies in film history. I’ve encouraged them to pretty much ignore what passes for both comedy … Continue reading

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The Shack

Things to get out of the way: Yes, it’s taken me this long to see The Shack. And yes, I started to read the book years ago, but was one of the few who never finished it. Plus, I’m posting … Continue reading

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Spider-Man: Homecoming

The awkwardly titled newest entry in the Spider-Man series generally succeeds in rebooting the series, and turns into one of the most enjoyable—and funny—mainstream films of the year. There are pitfalls aplenty in rebooting a series so often in such … Continue reading

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The Big Parade (1925)

The Big Parade has always sat there on my “must-see” list, like a little thorn in my side. I knew I “should” see it, but its 2+ hours length and its age—released in 1925—always pushed it down the list until … Continue reading

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49th Parallel (AKA The Invaders)

49th Parallel is a propaganda film that doesn’t feel like one, though it is as potent as any persuasive film could be. (It was called The Invaders when first released in the U.S.) It’s also an unusual combination of star … Continue reading

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The Other “Gaslight” (British, 1940)

Most folks interested in classic Hollywood films know Gaslight, the 1944 melodrama that gave Ingrid Bergman her first Oscar. Also the winner of the Oscar for Best Art Direction-Interior Decoration, Black-and-White, it was a well-regarded, deftly crafted film that received … Continue reading

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Watch on the Rhine (1943) and In Which We Serve (1942)

My excursions into the films of Powell and Pressburger brought me back into the world of the 1940s, and specifically, World War II. My next film to see is 49th Parallel (also known as The Invaders in the U.S.), which … Continue reading

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