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Categories
Tag Archives: Benedict Cumberbatch
The Power of the Dog
The Power of the Dog isn’t for everyone. It certainly isn’t for children, the squeamish, or those bothered by a constant state of dread and anticipation. For the rest, it’s a dark revisionist Western that doesn’t go where you think … Continue reading
Posted in Uncategorized
Tagged Benedict Cumberbatch, Bright Star, Daniel Day-Lewis, Daniel Plainview, Dawn of the Planet of the Apes, Days of Heaven, Forrest Gump, Holly Hunter, Jane Campion, Jesse Plemons, Kirsten Dunst, Kodi Smit-McPhee, Phantom Thread, The Master, The Piano, The Power of the Dog, The Road, The Tree of Life, There Will be Blood, X-Men: Apocalypse
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The Father
I was wrong. Not having been able to see The Father in the theater until recently, I went with the current wisdom that the award for Best Actor would of course go to Chadwick Boseman for Ma Rainey’s Black Bottom. … Continue reading
The Three to See: The Birth of a Nation, Gone with the Wind, and 12 Years a Slave
The Three to See: Birth of a Nation, Gone with the Wind, and 12 Years Slave As I wade into where angels fear to tread, I want to make it clear that I am stepping outside the current social discussion … Continue reading
Posted in Film Reviews, Newer films, Older Films
Tagged 12 Years a Slave, Benedict Cumberbatch, Broken Blossoms, Butterfly McQueen, Chiwetel Ejiofor, Civil War, D.W. Griffith, Dark Victory, Dodge City, Gigi, Gone with the Wind, Green Book, Gunga Din, Hattie McDaniel, HBO Max, Hollywood, Intolerance, Jacqueline Stewart, Ku Klux Klan, Lillian Gish, Love Affair, Lupita Nyong'o, Max Steiner, Michael Fassbender, Mr. Smith Goes to Washington, NAACP, Netflix, Ninotcha, Of Mice and Men, Olivia De Havilland, Once Upon a Time ... in Hollywood, Oscars, Prissy, Reconstructionists, Sarah Paulson, Solomon Northup, Stagecoach, TCM, The Birth of a Nation, The Cheat, The Clansman, The Wizard of Oz, The Women, Viven Leigh, William Cameron Menzies, Woodrow Wilson, Wuthering Heights, YouTube
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1917
What recent film reminded me of Psycho, Gravity, Million Dollar Baby, Birdman, Rope, The Revenant, True Grit, All Quiet on the Western Front, Paths of Glory, The Searchers, Deuteronomy 20:19-21, and Psalm 1:3 (the last two being Bible references)? Why, … Continue reading
Posted in Film Reviews, Newer films
Tagged 1917, All Quiet on the Western Front, Andrew Scott, Benedict Cumberbatch, Birdman, Colin Firth, Deuteronomy, George MacKay, Gravity, Mark Strong, Marriage Story, Million Dollar Baby, Once Upon a Time ... in Hollywood, Parasite, Paths of Glory, Psalms, Psycho, Richard Madden, Roger Deakins, Rope, Sam Mendes, The Irishman, The Revenant, The Searchers, True Grit
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Avengers: Infinity War
In the “old days,” some films, for various reasons, were called critic-proof. That could mean that it didn’t matter what the critics would say, it would still be financially successful. It also meant that some films seemed impervious to any … Continue reading
The Imitation Game
The Imitation Game is lovely to look at, features two excellent performances and several good ones, and is something of a mess. That’s not all the film’s fault, as Alan Turing’s life doesn’t fall easily into a three-act structure. Turing … Continue reading
Posted in Film Reviews, Newer films
Tagged 12 Years a Slave, A.O. Scott, Alan Turing, Allen Leech, Atonement, August: Osage County, Benedict Cumberbatch, Bleak House, Bletchley Park, Charles Dance, Downton Abbey, Game of Thrones, Hobbit, Joan Clark, Keira Knightley, Lincoln, New York Times, Pride and Prejudice, Selma, Sherlock, Smaug, The Imitation Game
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August: Osage County
August: Osage County, a terribly named film based on the slightly less poorly named play of the same name, recalls American Hustle. It overflows with talented actors acting up a storm in a cinematic structure that can’t contain them. Except … Continue reading
12 Years a Slave
Simply put, 12 Years a Slave is the best film of the year, for a myriad of reasons. I’m even more impressed after the second viewing. It’s beautifully shot, with nearly pitch-perfect acting, and a rhythm all its own. Perhaps … Continue reading
The Hobbit: The Desolation of Smaug
The good news is that this middle film of the trilogy is a great improvement over The Hobbit: An Unexpected Journey. Director Peter Jackson has forsaken, thankfully, his use of 48-frames-per-second, which created a plastic, video look to the sets, … Continue reading