Author Archives: Mark DuPré

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About Mark DuPré

Retired (associate) pastor at a Christian church. Retired film professor at Rochester Institute of Technology. Husband for nearly 50 years to the lovely and talented Diane. Father to three children and father-in-law to three more amazing people. I continue some ministry duties even though retired from the pastoral staff position. Right now I'm co-writing a book, co-writing a serious musical drama, and am half-way through writing (on my own a month-long devotional.

The Favourite: A death knell for truth in film?

Now that the Oscar nominations are out (to be commented on at a later time), it’s probably time to write about The Favourite, which ties with Roma for the greatest number of  nominations with 10. I love historical films, and … Continue reading

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Bohemian Rhapsody

Bohemian Rhapsody is perhaps better known at the moment as the surprise winner of the Golden Globe for Best Picture (Drama). Black Panther, If Beale Street Could Talk, and A Star is Born (and of course Roma, which wasn’t even … Continue reading

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If Beale Street Could Talk

If Beale Street Could Talk is a film that will grow in stature and appreciation over the next several years. Not that it’s being ignored now–Regina King will win the Oscar for Best Supporting Actress, and there will be other … Continue reading

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Mary Poppins Returns

Warm, sometimes touching, exciting, and uneven, with a compromised central performance. Plus, oh yes, it’s got to withstand the viewer’s recollection of its superior predecessor. That’s a lot for any film to bear. Mary Poppins Returns is mostly a delight, … Continue reading

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The Inn of the Sixth Happiness (1958)

The Inn of the Sixth Happiness is one of those older, well-regarded films I’d put on my list to see “sometime.” Sometime turned out to be last night, and since I didn’t really know much about the film, many of … Continue reading

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A Star is Born (2018)

In film school, we learned that one of the most intriguing of artistic collisions is when a strong auteur director with a signature style decides to take on a genre with its own rigorous formulaic demands. The result is usually … Continue reading

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Green Book

Note: It’s been a long time since my last entry. Apologies. I’ve seen many an older, classic film, but no films in the theater. Yes, it’s been that busy. The older films I saw deserve their own entry, but an … Continue reading

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Two Prototypes: What Price Hollywood? (1932) and Stranger on the Third Floor (1940)

Prototype: a first, typical or preliminary model of something. I’ve seen a boatload of old and foreign films recently but haven’t had the time to write about them. Yet when I notice a similarity between two films that don’t seem … Continue reading

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Mission: Impossible–Fallout

For my friend Steve: Mission: Impossible—Fallout is the latest in the series that was rebooted with Tom Cruise way back in 1996, when the image of Cruise suspended above the floor grabbed the nation’s attention and helped kick-start the new … Continue reading

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Two French Classics: Lola Montès (1955) and Pépé le Moko (1937)

My new FilmStruck subscription (thank you, children) is giving me access to many older films that help fill in my cinematic gaps. Recently, I saw two French classics that couldn’t be more different from one another—Lola Montès (1955) and Pépé … Continue reading

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