Tag Archives: A Star is Born

Show People (1928)

Posted on January 23, 2023 by Mark DuPré

Silent and early sound film star Marion Davies was a wonderful comedienne when given the chance, and perhaps there was no greater opportunity for her to show her talents than in 1928’s Show People, her last major role in a … Continue reading →

Posted in Uncategorized | Tagged A Star is Born, Bill Gates, Blazing Saddles, Charles Chaplin, Charles Foster Kane, Citizen Kane, Claire Windsor, Dorothy Comingore, Dorothy Sebastian, Douglas Fairbanks Sr., Eileen Pringle, Elon Musk, Estelle Taylor, George K. Arthur, Jeff Bezos, John Gilbert, Karl Dane, King Vidor, Louella Parsons, Mank, Marianne, Marion Davies, Norma Talmadge, Renée Adorée, San Luis Obispo, San Simeon, Show People, singin' in the rain, What Price Hollywood?, William Hart, William Randolph Hearst | Leave a comment

Two Films from the Fifties: Niagara and Les Girls

Posted on June 23, 2020 by Mark DuPré

Note: It’s been a long time since I’ve had time to write for this space. The pandemic hit hard, as I was just getting accustomed to handling four college courses (two were new). Once we went online, I had to … Continue reading →

Posted in Film Reviews, Older Films | Tagged A Star is Born, An American in Paris, cyd charisse, Debbie Reynolds, Don Wilson, gene kelly, Gentlemen Prefer Blondes, George Cukor, Grace Kelly, Hello Dolly, Henry Hathaway, Hitchcock, How the West Was Won, it's always fair weather, Jack Cole, James Mason, Jean Peters, Joseph Cotton, Joseph MAcDonald, Kay Kendall, Les Girls, Leslie Caron, Lurene Tuttle, Marilyn Monroe, Max Showalter, MGM, Mitzi Gaynor, My Fair Lady, Niagara, Rashomon, Rex Harrison, Richard Allan. How to Marry a Millionaire, Robert Burks, singin' in the rain, South Pacific, Taina Elg, Technicolor, The Lives of a Bengal Lancer, The Women, True Grit, Vera Ellen | Leave a comment

A Trip to the ‘30s: Peg O’ My Heart, Lady for a Day, Morning Glory, and King of Jazz

Posted on March 17, 2019 by Mark DuPré

Saw a trio of films that turned to be central to the 1933 Best Actress race. Katherine Hepburn won her first Oscar for a somewhat strange performance in Morning Glory, playing an actress who goes from young, innocent, naïve, and … Continue reading →

Posted in Film Reviews, Older Films | Tagged A Star is Born, Adolph Menjou, Bing Crosby, Busby Berkeley, C. Aubrey Smith, Cavalcade, Clark Gable, Claudette Colbert, Douglas Fairbanks Jr., Frank Capra, Frank Lloyd, Gershwin's Rhapsody in Blue, Harvey Weinstein, It Happened One Night, John Boles, Katherine Hepburn, King of Jazz, Lady for a Day, Laurette Taylor, Lowell Sherman, Marion Davies, May Robson, Morning Glory, Onslow Stevens, Paul Whiteman, Peg O' My Heart, Robert Riskin, The Great Ziegfeld, The Rhythm Boys, three-strip Technicolor, two-strip Technicolor, Universal, What Price Hollywood?, Will Rogers, William Randolph Heart | Leave a comment

Quick Thoughts on the 2019 Oscars Show

Posted on February 25, 2019 by Mark DuPré

The Oscars have come and gone, and the show was not that bad. Not having a host may or may not be the best idea for future shows, but it worked just fine this year. If anyone can pass the … Continue reading →

Posted in Film-Related Articles | Tagged 2019, A Star is Born, Bette Midler, Black Panther, Bohemian Rhapsody, Bradley Cooper, Costume, Green Book, I'll Fight, James Corden, Jennifer Hudson, New York Times Carpetbagger, Olivia Coleman, Oscars, Production Design, Rami Malek, Roma, Shallow, The Favourite, The Place Where Lost Things Go, Vice | Leave a comment

2019 Oscar Nominations: First Thoughts

Posted on February 2, 2019 by Mark DuPré

Oscar time is funny. The guilds have voted for their individual categories, and there is the hope and thought that they generally vote for what they think is the best for their category. Of course there will be thoughts … Continue reading →

Posted in Film-Related Articles | Tagged A Quiet Place, A Star is Born, Alfonso Cuaron, Amy Adams, At Eternity's Gate, Best Director, Best Visual Effects, Black Panther, BlacKkKlansman, Bradley Cooper, Christian Bale, Emily Blunt, Glenn Close, Green Book, If Beale Street Would Talk, Lady Gaga, Mahershala Ali, Mary Poppins Returns, Olivia Col, Rami Malek, Regina King, Richard E. Grant, Roma, SAG, Sam Elliott, Sam Rockwell, Screen Actors Guild, Shallow, snub, Spider-Man: Into the Spider-Verse, The Favourite, The Wife, Vice, Willem Dafoe | Leave a comment

Bohemian Rhapsody

Posted on January 21, 2019 by Mark DuPré

Bohemian Rhapsody is perhaps better known at the moment as the surprise winner of the Golden Globe for Best Picture (Drama). Black Panther, If Beale Street Could Talk, and A Star is Born (and of course Roma, which wasn’t even … Continue reading →

Posted in Uncategorized | Tagged A Star is Born, Black Panther, Bohemian Rhapsody, Bryan Singer, Freddie Mercury, If Beale Street Could Talk, Jim Hutton, Queen, Rami Malek, Roma | Leave a comment

A Star is Born (2018)

Posted on December 5, 2018 by Mark DuPré

In film school, we learned that one of the most intriguing of artistic collisions is when a strong auteur director with a signature style decides to take on a genre with its own rigorous formulaic demands. The result is usually … Continue reading →

Posted in Film Reviews, Newer films | Tagged A Star is Born, Ally, Barbra Streisand, Bradley Cooper, Britney Spears, George Cukor, Jack, Judy Garland, Kris Kristofferson, Lada Gaga, Sam Elliott, What Price Hollywood? | Leave a comment

Two Prototypes: What Price Hollywood? (1932) and Stranger on the Third Floor (1940)

Posted on September 25, 2018 by Mark DuPré

Prototype: a first, typical or preliminary model of something. I’ve seen a boatload of old and foreign films recently but haven’t had the time to write about them. Yet when I notice a similarity between two films that don’t seem … Continue reading →

Posted in Film Reviews, Older Films | Tagged A Star is Born, Bill Murray, Cat People, Citizen Kane, Clint Morgan, Constance Bennett, Dali, David O. Selznick, Double Indemnity, film noir, George Cukor, German Expressionist, Hitchcock, IMDB, Lowell Sherman, M, Neil Hamilton, Nicholas Musuraca, Out of the Past, Peter Lorre, prototype, Spellbound, Stranger on the Third Floor, The Maltese Falcon, Val Lewton, What Price Hollywood? | Leave a comment

Black Narcissus (1947)

Posted on April 23, 2017 by Mark DuPré

I was familiar with the famous British writing and directing team of (Michael) Powell and (Emiric) Pressburger from film school. But until recently, my exposure to their work had been quite limited. I’m in the middle of remedying that. I … Continue reading →

Posted in Film Reviews, Older Films | Tagged A Star is Born, Best Cinematography, Black Narcissus, Deborah Kerr, Emeric Pressburger, Gone with the Wind, Himalayas, Jack Cardiff, Kathleen Byron, Michael Powell, New York Film Critics Best Actress, sexual hysteria, Technicolor, The Garden of Allah, The Red Shoes, The Yearling. David Farrer | Leave a comment

#OscarsSoSilly

Posted on February 8, 2017 by Mark DuPré

The Oscars should be taken seriously on a few levels. Sometimes they actually reward and encourage great work. At other times, they at least call attention to work that might otherwise be ignored. They can jumpstart a stalling career (or … Continue reading →

Posted in Film-Related Articles | Tagged #OscarsSoSilly, #OscarsSoWhite, A Beautiful Mind, A Place in the Sun, A Star is Born, A Streetcar Named Desire, African Queen, Airport, Al Pacino, All About Eve, All the President's Men, An American in Paris, Anne Baxter, Around the World in 80 Days, Ben Hur, Best Actress, Best Supporting Actress, Bette Davis, Bing Crosby, Born Yesterday, BUtterfield 8, Capote, Cecil B. DeMille, Chaplin, Charles Laughton, Charlton Heston, Citizen Kane, City Slickers, Clark Gable, Claudette Colbert, Cocoon, Cold Mountain, Coquette, Dances with Wolves, Dangerous, Denzel Washington, Dial M for Murder, Don Ameche, Donna Reed, Driving Miss Daisy, Elizabeth Taylor, Ellen Burstyn, Erin Brockovich, Franchot Tone, George Chakiris, George Clooney, Ginger Rogers, Going My Way, Golden Globes, Gone with the Wind, Goodbye Mr. Chips, Grace Kelly, Grace Moore, Greer Garson, Hallie Barry, Hattie McDaniel, Helen Hayes, Henry Fonda, Hollywood Foreign Press, Humphrey Bogart, It Happened One Night, Jack Lemmon, Jack Palance, James Steward, Jean Dujardin, Jessica Tandy, Jezebel, John Ford, John Mills, John Wayne, Judy Garland, Judy Holiday, Julia Roberts, Julianne Moore, Kate Winslet, Kitty Foyle, La Vie en Rose, Leonard DiCaprio, Marion Cotillard, Marlon Brando, Mary Pickford, McLaglen, Monster's Ball, Mr. Smith Goes to Washington, Mutiny on the Bounty, Myrna Loy, Nicole Kidman, Norma Shearer, Of Human Bondage, Olivier, On Golden Pond, On the Waterfront, Orson Welles, Oscar, Oscars, Out of Africa, Paul Newman, Philip Seymour Hoffman, Rear Window, Rebecca, Renee Zellweger, Requiem for a Dream, Robert Donat, Robert Duvall, Rocky, Russell Crowe, Ryan’s Daughter, Save the Tiger, Scent of a Woman, Still Alice, Sunset Boulevard, Syriana, Tender Mercies, The Artist, The Caine Mutiny, The Color of Money, The Country Girl, The Grapes of Wrath, The Great Dictator, The Greatest Show on Earth, The Hours, The Informer, The Philadelphia Story, The Reader, The Revenant, The Shootist, The Sting, The Thin Man, Training Day, True Grit, Victor, West Side Story, William Powell | Leave a comment

Tag Archives: A Star is Born

Show People (1928)

Two Films from the Fifties: Niagara and Les Girls

A Trip to the ‘30s: Peg O’ My Heart, Lady for a Day, Morning Glory, and King of Jazz

Bohemian Rhapsody

A Star is Born (2018)

Two Prototypes: What Price Hollywood? (1932) and Stranger on the Third Floor (1940)

Black Narcissus (1947)

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