Tag Archives: Judy Garland

If then, maybe… How Oscar can get it wrong and what can happen when it does

Random thoughts on a series of Oscar “what-ifs”: 1939—Jimmy Stewart should have won for Mr. Smith Goes to Washington or maybe Clark Gable for Gone with the Wind. The winner that year was Robert Donat for Goodbye, Mr. Chips in … Continue reading →

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The Jolson Story

This film from 1946 should not hold up. I was just checking off a box when I decided to see it. The film is based on the life of an entertainer who was essentially forgotten by the time it was … Continue reading →

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The Other Oscars: The Juvenile Academy Award

Did you know that July Garland, in spite of her tragic loss of the Oscar in 1955, did win an Academy Award? Other winners in this special Juvenile category include Mickey Rooney (nominated later for four other films as an … Continue reading →

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Stars Are Born: A Comparison of the Five “A Star is Born” Films

There isn’t much of any interest in movie theaters these days, so it’s a good time to remind everyone of all the classics available to enjoy. In fact, it’s always a good time to view the classics. So here is … Continue reading →

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The Umbrellas of Cherbourg (Les parapluies de Cherbourg) (French, 1964)

DNow is probably the right time to take a first or second look at The Umbrellas of Cherbourg. There is nothing else like it, not even writer-director Jacques Demy’s next film, The Young Girls of Rochefort, and that one starred … Continue reading →

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Judy

Judy Garland was the greatest musical performer in American film (and perhaps on the concert stage as well) of the 20th century. It’s likely that no film could do her life—or even a portion of her life–justice. Judy, which focuses … Continue reading →

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A Star is Born (2018)

In film school, we learned that one of the most intriguing of artistic collisions is when a strong auteur director with a signature style decides to take on a genre with its own rigorous formulaic demands. The result is usually … Continue reading →

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#OscarsSoSilly

The Oscars should be taken seriously on a few levels. Sometimes they actually reward and encourage great work. At other times, they at least call attention to work that might otherwise be ignored. They can jumpstart a stalling career (or … Continue reading →

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La La Land

I haven’t seen Moonlight yet (I live in Rochester, New York, not a major city, and it takes awhile for films to get here at times), but La La Land may well be the best film of the year. It’s … Continue reading →

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Judgment at Nuremburg and A Man for All Seasons: The Cinema of Conscience

When I teach my students about editing, I make sure to point out that it has a dual power—to both contrast and compare. Classic scenes of violence cut with scenes of a holy rite (The Godfather, Part One) or violence … Continue reading →

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