Category Archives: Newer films

Les Misérables

Les Misérables succeeds on so many levels, I almost lost count. In many ways, it’s a film in the narrow category of films made from sung-through musicals. In that context, it really only has The Phantom of the Opera to … Continue reading →

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Skyfall

Skyfall, the latest James Bond film,is an apologia for the whole Bond series. It rather pointedly keeps reminding us of the value of the “old ways,” old-style weapons and gadgets, and the worth of old-timers—all the while re-populating the franchise … Continue reading →

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Lincoln

Steven Spielberg’s Lincoln may be the most beautifully photographed, best-acted procedural ever filmed. The core of the film is not Lincoln’s life, or death, or any of his many personal struggles. It’s the ratification of the 13th Amendment abolishing slavery, … Continue reading →

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Soul Surfer

Finally saw 2011’s Soul Surfer, mostly because I like to keep track of how “nearly mainline” Christian films are faring these days. It was…OK. As a story, it’s more than inspiring, and if that’s what motivates you to see it, … Continue reading →

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Premium Rush

I love movies like this because I like movies like this. My film students always assume that because it’s not classic or foreign or Oscar bait, that of course a film professor wouldn’t waste precious time on a film that’s … Continue reading →

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The Bourne Legacy

This semi-reboot of the Bourne trilogy with Matt Damon is a kind of “Whew, that was intense, wasn’t it!” reaction to the earlier series. The Bourne Legacy is simpler, easier, less layered and subtle, and heads in different directions. Our … Continue reading →

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Hope Rises

Some critics used to separate “films” from “movies.” Hope Springs is a movie; it’s mainstream and entertaining, with no aspirations to art. It’s solid as a film, hysterically funny at times, and painfully uncomfortable at other times. The direction is … Continue reading →

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The Dark Knight Rises

The last installment of the Batman trilogy may not be looked at simply as a film for a while. The slaughter on opening night will likely be associated with the film for many a viewer and non-viewer. The real violence … Continue reading →

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Brave

Most of the talk surrounding Brave has been focused on gender and ideology. Merida (voiced by Kelly Macdonald) is a Disney heroine who doesn’t need or want a man, and doesn’t end up with one. For sociologists and ideologues, that’s … Continue reading →

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The Amazing Spider-Man

This is your kinder, gentler Spider-Man. That’s neither a compliment nor a complaint. It’s just a quick description of the reboot. There’s nothing really new here except the emphasis. This Spider-Man film is more down-to-earth, closer to its protagonists, lighter … Continue reading →

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