Category Archives: Film Reviews

Film reviews and analyses. Most recently published is in front.

Avengers: Infinity War

In the “old days,” some films, for various reasons, were called critic-proof. That could mean that it didn’t matter what the critics would say, it would still be financially successful. It also meant that some films seemed impervious to any … Continue reading →

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I Can Only Imagine

Oh, what a challenging task it is to analyze a film such as I Can Only Imagine! I come at film on this site (and in my class) from an artistic perspective, and as with all critics and analysts, there … Continue reading →

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All Quiet on the Western Front (1930) and A Night to Remember (1958)

All Quiet on the Western Front  All Quiet on the Western Front was a Best Picture Oscar winner (and Best Director winner for Lewis Milestone as well) way back in 1930. The version I saw was a restoration with sound … Continue reading →

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Foreign Correspondent (1940)

I’ve heard over the years that Foreign Correspondent is “minor Hitchcock,” which of course begs an understanding of what “minor” means here. In more recent years, however, I kept hearing that it’s not so much minor as simply half-forgotten and … Continue reading →

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Black Panther

I loved The Avengers when it first came out in 2012 (https://film-prof.com/2012/05/14/the-avengers/) for how well it answered the many challenges of a first superhero franchise film. But Black Panther may well be the best Marvel film yet. It’s gorgeous to … Continue reading →

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A Classic Performance, Revisited

    Luise Rainer is a name long forgotten in the film world, except by historians and major film nerds, of which I am one. Even so-called “film buffs” have never heard of the actress who won the first two … Continue reading →

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All the King’s Men

All the King’s Men is an “old film,” according to most of my students, having been made in 1949 and shot in (oh, my) black-and-white. However, the near-documentary look, the stellar performances, and the themes (corruption in politics and politicians) … Continue reading →

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The Greatest Showman

The Greatest Showman is one of the great movie conundrums of 2017. It was tepidly received my most critics and savaged by others. Yet, over time, it’s become an unqualified popular and financial success. While Jumanji: Welcome to the Jungle … Continue reading →

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The Post

The Post has been called second-tier Spielberg, and that’s true. Of course, second-tier for SS means it’s more finely crafted than 95 percent of other films. But in spite of the political perspectives brought to the film by many viewers … Continue reading →

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Phantom Thread

Phantom Thread is exquisite. That’s neither a compliment nor a criticism, but just a description. It follows the story of a 1950’s London fashion designer described early on in the film as “too fussy.” That’s one way of describing him. … Continue reading →

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