Author Archives: Mark DuPré

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About Mark DuPré

Retired (associate) pastor at a Christian church. Retired film professor at Rochester Institute of Technology. Husband for nearly 50 years to the lovely and talented Diane. Father to three children and father-in-law to three more amazing people. I continue some ministry duties even though retired from the pastoral staff position. Right now I'm co-writing a book, co-writing a serious musical drama, and am half-way through writing (on my own a month-long devotional.

I Can Only Imagine

Oh, what a challenging task it is to analyze a film such as I Can Only Imagine! I come at film on this site (and in my class) from an artistic perspective, and as with all critics and analysts, there … Continue reading

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All Quiet on the Western Front (1930) and A Night to Remember (1958)

All Quiet on the Western Front  All Quiet on the Western Front was a Best Picture Oscar winner (and Best Director winner for Lewis Milestone as well) way back in 1930. The version I saw was a restoration with sound … Continue reading

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Foreign Correspondent (1940)

I’ve heard over the years that Foreign Correspondent is “minor Hitchcock,” which of course begs an understanding of what “minor” means here. In more recent years, however, I kept hearing that it’s not so much minor as simply half-forgotten and … Continue reading

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Black Panther

I loved The Avengers when it first came out in 2012 (https://film-prof.com/2012/05/14/the-avengers/) for how well it answered the many challenges of a first superhero franchise film. But Black Panther may well be the best Marvel film yet. It’s gorgeous to … Continue reading

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A Classic Performance, Revisited

    Luise Rainer is a name long forgotten in the film world, except by historians and major film nerds, of which I am one. Even so-called “film buffs” have never heard of the actress who won the first two … Continue reading

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2018 Oscar Thoughts

Oh, my. Where do you start covering this year’s Oscars? Do we cover the awards, the show itself, the politics, the dresses, the awards as a window into….whatever? The best I can do at the moment is a series of … Continue reading

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All the King’s Men

All the King’s Men is an “old film,” according to most of my students, having been made in 1949 and shot in (oh, my) black-and-white. However, the near-documentary look, the stellar performances, and the themes (corruption in politics and politicians) … Continue reading

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The Greatest Showman

The Greatest Showman is one of the great movie conundrums of 2017. It was tepidly received my most critics and savaged by others. Yet, over time, it’s become an unqualified popular and financial success. While Jumanji: Welcome to the Jungle … Continue reading

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The Post

The Post has been called second-tier Spielberg, and that’s true. Of course, second-tier for SS means it’s more finely crafted than 95 percent of other films. But in spite of the political perspectives brought to the film by many viewers … Continue reading

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2018 Oscar Noms—First Thoughts

I love Oscar season. Each year is fascinating for different reasons. While genuinely good work gets recognized (and some good and great work gets ignored), the other factors that figure into the nominations, and then the final awards, change each … Continue reading

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