Tag Archives: Denzel Washington

2022 Oscar Thoughts and Predictions

Posted on March 25, 2022 by Mark DuPré

Rumor has it we’re “back to normal” this year with everyone gathered in an auditorium, and with three—count ‘em!—hosts. The film world is still recovering from both COVID and the rise of streaming services with good films. This will likely … Continue reading →

Posted in Uncategorized | Tagged Academy Awards, Andrew Garfield, Ariana DeBose, Aunjanue Ellis, Being the Ricardos, Belfast, Benedict Cumberbatch, Ciaran Hinds, CODA, Denzel Washington, Dos Oruguitas, Drive My Car, Dune, Encanto, Flee, Four Good Days, Green Book, Hans Zimmer, J.K. Simmons, Jane Campion, Javier Bardem, Jesse Plemmons, Jessie Buckley, Jonny Greenwood, Judi Dench, Kenneth Branagh, King Richard, Kirsten Dunst, Kodi Smit-McPhee, Kristen Stewart, Let it Go, Licorice Pizza, Lunana: A Yak in the Classroom, Nicole Kidman, Nightmare Alley, Olivia Colman, Oscars, Parallel Mothers, Paul Thomas Anderson, Penelope Cruz, Ryusuke Hamaguchi, Somehow You Do, Spencer, Steven Spielbert, Summer of Soul, The Academy Award Outstanding Achievement in Popular Film, The Eyes of Tammy Faye, The Hand of God, The Lost Daughter, The Mitchells vs. the Machines, The Power of the Dog, The Tragedy of Macbeth, The Worst Person in the World, Tick Tick...Boom, Troy Kotsur, We Don't Talk About Bruno, West Side Story, Will Smith | Leave a comment

2018 Oscar Noms—First Thoughts

Posted on January 28, 2018 by Mark DuPré

I love Oscar season. Each year is fascinating for different reasons. While genuinely good work gets recognized (and some good and great work gets ignored), the other factors that figure into the nominations, and then the final awards, change each … Continue reading →

Posted in Film-Related Articles | Tagged 2018, Aaron Sorkin, All the Money in the World, Allison Janney, Amy Adams, Blade Runner 2049, Brooklyn, Call Me By Your Name, Christopher Nolan, Christopher Plummer, Daniel Kaluuya, Darkest Hour, Denzel Washington, Dunkirk, Frances McDormand, Gal Gadot, Gary Oldman, Get Out, Greta Gerwig, I Tonya, J.K. Simmons, Jake Gyllenhaal, James Franco, James Ivory, Jordan Peele, Judi Dench, Kevin Spacey, Lady Bird, Laurie Metcalf, Leslie Manville, Margo Robbie, Mary J. Blige, Molly's Game, Mudbound, Octavia Spender, Oscars, Paul Thomas Anderson, Phantom Thread, Rachel Morrison, Richard Jenkins, Ridley Scott, Roger Deakins, Roman J. Israel Esq., Sally Hawkins, Sam Rockwell, Saoirse Ronan, The Big Sick, The Disaster Artist, The Post, The Shape of Water, Three Billboards Outside Ebbing Missouri, Winston Churchill, Wonder Woman, Woody Harrelson | Leave a comment

Fences

Posted on October 14, 2017 by Mark DuPré

Sometimes life, responsibilities, and priorities conspire to prevent me from seeing a film I “should” see in the theater. Such was the case with Fences, which was often my number two choice to see, and never managed to make it … Continue reading →

Posted in Film Reviews, Newer films | Tagged August Wilson, Broadway, Denzel Washington, Doubt, Fences, Les Miserables, Phantom of the Opera, Pittsburgh Cycle, Pulitzer Prize, Tony Award, Tony Awards, Viola Davis | Leave a comment

#OscarsSoSilly

Posted on February 8, 2017 by Mark DuPré

The Oscars should be taken seriously on a few levels. Sometimes they actually reward and encourage great work. At other times, they at least call attention to work that might otherwise be ignored. They can jumpstart a stalling career (or … Continue reading →

Posted in Film-Related Articles | Tagged #OscarsSoSilly, #OscarsSoWhite, A Beautiful Mind, A Place in the Sun, A Star is Born, A Streetcar Named Desire, African Queen, Airport, Al Pacino, All About Eve, All the President's Men, An American in Paris, Anne Baxter, Around the World in 80 Days, Ben Hur, Best Actress, Best Supporting Actress, Bette Davis, Bing Crosby, Born Yesterday, BUtterfield 8, Capote, Cecil B. DeMille, Chaplin, Charles Laughton, Charlton Heston, Citizen Kane, City Slickers, Clark Gable, Claudette Colbert, Cocoon, Cold Mountain, Coquette, Dances with Wolves, Dangerous, Denzel Washington, Dial M for Murder, Don Ameche, Donna Reed, Driving Miss Daisy, Elizabeth Taylor, Ellen Burstyn, Erin Brockovich, Franchot Tone, George Chakiris, George Clooney, Ginger Rogers, Going My Way, Golden Globes, Gone with the Wind, Goodbye Mr. Chips, Grace Kelly, Grace Moore, Greer Garson, Hallie Barry, Hattie McDaniel, Helen Hayes, Henry Fonda, Hollywood Foreign Press, Humphrey Bogart, It Happened One Night, Jack Lemmon, Jack Palance, James Steward, Jean Dujardin, Jessica Tandy, Jezebel, John Ford, John Mills, John Wayne, Judy Garland, Judy Holiday, Julia Roberts, Julianne Moore, Kate Winslet, Kitty Foyle, La Vie en Rose, Leonard DiCaprio, Marion Cotillard, Marlon Brando, Mary Pickford, McLaglen, Monster's Ball, Mr. Smith Goes to Washington, Mutiny on the Bounty, Myrna Loy, Nicole Kidman, Norma Shearer, Of Human Bondage, Olivier, On Golden Pond, On the Waterfront, Orson Welles, Oscar, Oscars, Out of Africa, Paul Newman, Philip Seymour Hoffman, Rear Window, Rebecca, Renee Zellweger, Requiem for a Dream, Robert Donat, Robert Duvall, Rocky, Russell Crowe, Ryan’s Daughter, Save the Tiger, Scent of a Woman, Still Alice, Sunset Boulevard, Syriana, Tender Mercies, The Artist, The Caine Mutiny, The Color of Money, The Country Girl, The Grapes of Wrath, The Great Dictator, The Greatest Show on Earth, The Hours, The Informer, The Philadelphia Story, The Reader, The Revenant, The Shootist, The Sting, The Thin Man, Training Day, True Grit, Victor, West Side Story, William Powell | Leave a comment

2017: Thoughts on Oscar

Posted on February 6, 2017 by Mark DuPré

This year’s nominations are anything but shocking, though you’d think there was drama galore according to some reports. But that’s just an attempt to wring some strum und drang from what is a pretty normal year. Yes, it’s a big … Continue reading →

Posted in Film-Related Articles | Tagged 13th, Amy Adams, Arrival, Casey Affeck, Colin Firth, Denzel Washington, Eddie Redmayne, Fences, Florence Foster Jenkins, Hell or High Water, Hidden Figures, Hugh Grant, I am Not Your Negro, Kubo and the Two Strings, La La Land, Lion, Lobster, Loving, Manchester by the Sea, Meryl Streep, Michelle Williams, Moana, O.J.: Made in America, Ruth Negga, Screen Actors Guild, strum und drang, Sully, The Color Purple, The King's Speech, The Theory of Everything, The Turning Point, Tom Hanks, Viola Davis, Zootopia | Leave a comment

The People v. O.J. Simpson

Posted on April 4, 2016 by Mark DuPré

Sometimes current television is not just better, but so much better, than films playing in the theater. A case in point: “The People v. O.J. Simpson: An American Crime Story,” playing on, of all places, FX. Like the original case … Continue reading →

Posted in Film Reviews, Newer films | Tagged Bruce Greenwood, Christopher Darden, Courtney B. Vance, Cuba Gooding Jr., David Schmimmer, Denzel Washington, F. Lee Bailey, FX, Gil Garcetti, John Travolta, Johnnie Cochran, Judge Ito, Kenneth Choi, Marcia Clark, Nathan Lane, O.J. Simpson, Robert Kardashian, Robert Shapiro, Ryan Murphy, Sarah Paulson, Sterling K. Brown, The People v. O.J. Simpson, Titanic, Training Day | Leave a comment

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2022 Oscar Thoughts and Predictions

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