Tag Archives: Christopher Nolan

2018 Oscar Noms—First Thoughts

Posted on January 28, 2018 by Mark DuPré

I love Oscar season. Each year is fascinating for different reasons. While genuinely good work gets recognized (and some good and great work gets ignored), the other factors that figure into the nominations, and then the final awards, change each … Continue reading →

Posted in Film-Related Articles | Tagged 2018, Aaron Sorkin, All the Money in the World, Allison Janney, Amy Adams, Blade Runner 2049, Brooklyn, Call Me By Your Name, Christopher Nolan, Christopher Plummer, Daniel Kaluuya, Darkest Hour, Denzel Washington, Dunkirk, Frances McDormand, Gal Gadot, Gary Oldman, Get Out, Greta Gerwig, I Tonya, J.K. Simmons, Jake Gyllenhaal, James Franco, James Ivory, Jordan Peele, Judi Dench, Kevin Spacey, Lady Bird, Laurie Metcalf, Leslie Manville, Margo Robbie, Mary J. Blige, Molly's Game, Mudbound, Octavia Spender, Oscars, Paul Thomas Anderson, Phantom Thread, Rachel Morrison, Richard Jenkins, Ridley Scott, Roger Deakins, Roman J. Israel Esq., Sally Hawkins, Sam Rockwell, Saoirse Ronan, The Big Sick, The Disaster Artist, The Post, The Shape of Water, Three Billboards Outside Ebbing Missouri, Winston Churchill, Wonder Woman, Woody Harrelson | Leave a comment

2018 Golden Globe Thoughts

Posted on January 8, 2018 by Mark DuPré

Ah, yes, the relatively meaningless Golden Globes. Well, since the shelf life for interest in this first awards show of the season is so very short, I must needs get my thoughts out rather quickly. Again, the Golden Globes only … Continue reading →

Posted in Film-Related Articles | Tagged Allison Janney, American Crime Story, Christian fundamentalism, Christopher Darden, Christopher Nolan, Daniel Kaluuya, Dunkirk, Elizabeth Moss, evangelicalism, Frances McDormand, fundamentalism, Gary Cooper, Gary Oldman (Dark Hour), gene kelly, Get Out, Golden Globe Awards, Golden Globes, Guillermo del Toro, High Noon, I Tonya, James Franco, Lady Bird, Laurie Metcalf, O.J. Simpson, Old Testament, Oprah, Sam Rockwell, Saoirse Ronan, Seth Meyers, singin' in the rain, The Disaster Artist, The Handmaid's Tale, The Martian, The Shape of Water, This is Us, Three Billboards Outside Ebbing Missouri, Time's Up | Leave a comment

Darkest Hour

Posted on January 4, 2018 by Mark DuPré

What I recently wrote about the 1961 film Two Women (https://film-prof.com/2017/12/31/two-women-1960-1961/) could just as easily applied to Darkest Hour—that the main point of interest was the central performance, but that the evolution of the director’s style was also worth noting. Darkest … Continue reading →

Posted in Film Reviews, Newer films | Tagged Anna Karenina, Atonement, Ben Mendelsohn, Best Actor, Christopher Nolan, Churchill's Secret, Cinderella, Clemmie Churchill, Darkest Hour, Downton Abbey, Dunkirk, Gary Oldman, Joe Wright, Kristin Scott Thomas, Lily James, Pip Torrens, Pride and Prejudice, Romola Garai, Samuel West, Stephen Dillane, The Crown, Tinker Tailor Soldier Spy, Two Women, Winston Churchill, World War II | Leave a comment

Dunkirk

Posted on August 21, 2017 by Mark DuPré

Dunkirk is extraordinary. It’s a film, yes (a real film, but more on that later), but also an event and an experience. It should be seen in IMAX if at all possible, as with much of director Christopher Nolan’s previous … Continue reading →

Posted in Film Reviews, Newer films | Tagged A Bridge Too Far, Agent Carter, Alejandro Iñárritu, Alfonso Cuaron, Ang Lee, Bridge of Spies, Broadchurch, Brokeback Mountain, Christopher Nolan, Cillian Murphy, Damien Chazelle, Dunkirk, Fionn Whitehead, Gravity, Harry Styles, Inception, Intolerance, James D'Arcy, Kenneth Branagh, La La Land, Lawrence of Arabia, Life of Pi, Mad Max: Fury Road, Mark Rylance, Mrs. Miniver, Richard Attenborough, The Dark Knight Rises, The Revenant, Tom Hardy, Will Attenborough | Leave a comment

Judgment at Nuremburg and A Man for All Seasons: The Cinema of Conscience

Posted on June 15, 2015 by Mark DuPré

When I teach my students about editing, I make sure to point out that it has a dual power—to both contrast and compare. Classic scenes of violence cut with scenes of a holy rite (The Godfather, Part One) or violence … Continue reading →

Posted in Film Reviews, Older Films | Tagged "Tout le monde a ses raisons", A Man for All Seasons, Christopher Nolan, conscience, Fred Zinneman, Jean Renoir, Judgment at Nuremburg, Judy Garland, Marlene Dietrich, Maximilian Schell, Montgomery Clift, morality, Nazi, Paul Scofield, Priceline, Richard Widmark, right and wrong, Spencer Tracy, Stanley Kramer, Star Trek, Third Reich, William Shatner, Wolf Hall | Leave a comment

Selma, Black Actors and Oscar

Posted on January 24, 2015 by Mark DuPré

Throwing some thoughts into the mix…. There’s always some kind of “scandal” surrounding the Oscar nominations, and the key word is “snub.” If you were magnificent in a film but people in Hollywood don’t like you, they say you’re snubbed. … Continue reading →

Posted in Film-Related Articles | Tagged "Glory", Albert Finney, American Sniper, Angelina Jolie, Ava DuVernay, Barkhad Abdi, Best Actor, Best Actress, Best Director, Best Picture, Cake, Captain Phillips, Carmen Jones, Chiwetel Ejiofor, Christopher Nolan, Clint Eastwood, Dallas Buyers Club, David Fincher, David Oyelolo, Dorothy Dandridge, Dreamgirls, Ethel Waters, Forest Whitaker, Ghost, Gone Girl, Gone with the Wind, Grace Kelly, Halle Berry, Hattie McDaniel, Hud, Interstellar, Jamie Foxx, Jared Leto, Jennifer Aniston, Jennifer Hudson, Judy Garland, Lilies of the Field, Lupita Nyong'o, Malcolm X, Marion Cotillard, Million Dollar Baby, Mo'Nique, Monster's Ball, Morgan Freeman, Oscar, Paramount, Paul Newman, Pinky, Precious, Ray, Selma, Sidney Poitier, The Color Purple, The Last King of Scotland, The Lego Movie, The Turning Point, Tom Jones, Training Day, Two Nights One Day, Unbroken, Whoopi Goldberg | Leave a comment

Interstellar

Posted on November 23, 2014 by Mark DuPré

I haven’t seen plain old Interstellar yet. But I did attend Interstellar: The Imax Experience, which is likely a different animal than the non-Imax version. Seeing—and hearing—the film in this format was as close to sampling Wagner’s Gesamtkunstwerk as I … Continue reading →

Posted in Film Reviews, Newer films | Tagged Anne Hathaway, Christopher Nolan, Dallas Buyers Club, Hans Zimmer, Imax, Interstellar, Jessica Chastain, John Lithgow, Mackenzie Foy, Matthew McConaughey | Leave a comment

Tag Archives: Christopher Nolan

Darkest Hour

Dunkirk

Judgment at Nuremburg and A Man for All Seasons: The Cinema of Conscience

Interstellar

Search for Film

Recent Posts

Archives

Categories