Tag Archives: Elizabeth Taylor

Two Women (1960/1961)

Posted on December 31, 2017 by Mark DuPré

Two Women is fascinating for two reasons. One, it is the film that brought Sophia Loren her Academy Award for Best Actress, the first for a foreign-language performance. (Since then, there have been awards for Roberto Benigni for Life is … Continue reading →

Posted in Film Reviews, Older Films | Tagged Angelina Jolie, Benicio Del Toro, Bicycle Thieves, Breathless, Catherine Zeta Jones, Cesare Zavattini, Charlize Theron, dubbing, Elizabeth Taylor, French New Wave, Godfather Part Two, Ingrid Bergman Grace Kelly, Jean-Paul Belmondo, La Vie en Rose, Life is Beautiful, Marion Cotillard, Miracle in Milan, Natalie Portman, neorealism, neorealist, New Wave, Penelope Cruz, Rachel Weisz, Robert De Niro, Roberto Benigni, Scarlet Johansson, Shoeshine, Sophia Loren, Traffic, Two Women, Umberto D., Vittorio de Sica, Vivien Leigh | Leave a comment

Watch on the Rhine (1943) and In Which We Serve (1942)

Posted on July 6, 2017 by Mark DuPré

My excursions into the films of Powell and Pressburger brought me back into the world of the 1940s, and specifically, World War II. My next film to see is 49th Parallel (also known as The Invaders in the U.S.), which … Continue reading →

Posted in Film Reviews, Older Films | Tagged Bernard Miles, Bette Davis, Brief Encounter, Casablanca, Celia Johnson, Dashiell Hammett, David Lean, Dr. Zhivago, East of Eden, Elizabeth Taylor, Great Expectations, Guy Green, Humphrey Bogart, In Which We Serve, John Mills, Lawrence of Arabia, Lillian Hellman, Michael Wilding, Noel Coward, Paul Lukas, Powell and Pressburger, Raymond Massey, Richard Attenborough, Ronald Neame, The 49th Parallel, The Best Years of Our Lives, The Bridge on the River Kwai, The Invaders, Watch on the Rhine | Leave a comment

#OscarsSoSilly

Posted on February 8, 2017 by Mark DuPré

The Oscars should be taken seriously on a few levels. Sometimes they actually reward and encourage great work. At other times, they at least call attention to work that might otherwise be ignored. They can jumpstart a stalling career (or … Continue reading →

Posted in Film-Related Articles | Tagged #OscarsSoSilly, #OscarsSoWhite, A Beautiful Mind, A Place in the Sun, A Star is Born, A Streetcar Named Desire, African Queen, Airport, Al Pacino, All About Eve, All the President's Men, An American in Paris, Anne Baxter, Around the World in 80 Days, Ben Hur, Best Actress, Best Supporting Actress, Bette Davis, Bing Crosby, Born Yesterday, BUtterfield 8, Capote, Cecil B. DeMille, Chaplin, Charles Laughton, Charlton Heston, Citizen Kane, City Slickers, Clark Gable, Claudette Colbert, Cocoon, Cold Mountain, Coquette, Dances with Wolves, Dangerous, Denzel Washington, Dial M for Murder, Don Ameche, Donna Reed, Driving Miss Daisy, Elizabeth Taylor, Ellen Burstyn, Erin Brockovich, Franchot Tone, George Chakiris, George Clooney, Ginger Rogers, Going My Way, Golden Globes, Gone with the Wind, Goodbye Mr. Chips, Grace Kelly, Grace Moore, Greer Garson, Hallie Barry, Hattie McDaniel, Helen Hayes, Henry Fonda, Hollywood Foreign Press, Humphrey Bogart, It Happened One Night, Jack Lemmon, Jack Palance, James Steward, Jean Dujardin, Jessica Tandy, Jezebel, John Ford, John Mills, John Wayne, Judy Garland, Judy Holiday, Julia Roberts, Julianne Moore, Kate Winslet, Kitty Foyle, La Vie en Rose, Leonard DiCaprio, Marion Cotillard, Marlon Brando, Mary Pickford, McLaglen, Monster's Ball, Mr. Smith Goes to Washington, Mutiny on the Bounty, Myrna Loy, Nicole Kidman, Norma Shearer, Of Human Bondage, Olivier, On Golden Pond, On the Waterfront, Orson Welles, Oscar, Oscars, Out of Africa, Paul Newman, Philip Seymour Hoffman, Rear Window, Rebecca, Renee Zellweger, Requiem for a Dream, Robert Donat, Robert Duvall, Rocky, Russell Crowe, Ryan’s Daughter, Save the Tiger, Scent of a Woman, Still Alice, Sunset Boulevard, Syriana, Tender Mercies, The Artist, The Caine Mutiny, The Color of Money, The Country Girl, The Grapes of Wrath, The Great Dictator, The Greatest Show on Earth, The Hours, The Informer, The Philadelphia Story, The Reader, The Revenant, The Shootist, The Sting, The Thin Man, Training Day, True Grit, Victor, West Side Story, William Powell | Leave a comment

Tag Archives: Elizabeth Taylor

Two Women (1960/1961)

Watch on the Rhine (1943) and In Which We Serve (1942)

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