Tag Archives: Ex Machina

Passengers

Posted on March 20, 2017 by Mark DuPré

Passengers Passengers arrived months ago with a great deal of marketing but ended up with a rather soft landing. If not for a positive review when I was looking to see a video, I would likely have let it … Continue reading →

Posted in Film Reviews, Newer films | Tagged Chris Pratt, Ex Machina, Jennifer Lawrence, Michael Sheen, Morten Tyldum, Passengers, Stanley Tucci, The Imitation Game, The Queen | Leave a comment

2016 Oscar Report

Posted on February 29, 2016 by Mark DuPré

It’s true—the Oscar telecast is getting less and less interesting each year. There are many reasons for that, which we won’t get into here. But last night’s wasn’t the worst. It was saved by a controversy and several surprise—even … Continue reading →

Posted in Film-Related Articles | Tagged #OscarsSoWhite, 'Til It Happens to You, 2016 Oscars, Alejandro Iñárritu, Alicia Vikander, Best Cinematography, Best Visual Effects, Birdman or the Unexpected Virtue of Ignorance, Bridge of Spies, Chris Rock, Concussion, Creed, Emmanuel Lubezki, Ennio Morricone, Ex Machina, Girl Scout Cookies, Gravity, Jimmy Nape, Lady Gaga, Leonardo DiCaprio, Mad Max: Fury Road, Mark Rylance, Sam Smith, Spectre, Spotlight, Star Wars, Sylvester Stallone, The Danish Girl, The Hateful Eight, The Hunting Ground, The One Percent, The Revenant, Wild Wild West, Will Smith, Writing's on the Wall | Leave a comment

2016 Oscar Nominations: The “Minor” Sure-Thing Awards

Posted on February 25, 2016 by Mark DuPré

To those in the so-called “minor” awards—those outside the top six—the Oscar is anything but minor. But to most folks outside of the industry, the awards outside of the acting, directing and best picture awards are of somewhat less interest. … Continue reading →

Posted in Film-Related Articles | Tagged Amy, Anomalisa, Best Adapted Screenplay, Best Animated Feature, Best Documentary Feature, Best Foreign Language Film, Best Original Screenplay, Boy and the World, Bridge of Spies, Brooklyn, Carol, Ex Machina, Inside Out, Mad Max: Fury Road, Room, Shaun the Sheep, Son of Saul, Spotlight, Straight Outta Compton, The Big Short, The Good Dinosaur, The Martian, When Marnie Was There | Leave a comment

2016 Oscar Nominations—Best Supporting Actress

Posted on February 22, 2016 by Mark DuPré

It’s certainly not the “best” performance that always wins—or even gets nominated. There are always other considerations that go into winning the award. For instance, a performance night be the crowning achievement of one’s acting career, and that might put … Continue reading →

Posted in Film-Related Articles | Tagged Alicia Vikander, Annie Hall, Best Supporting Actress, Carol, Diane Keaton, Ex Machina, Golden Globe, J.K. Simmons, Jennifer Jason Leigh, Kate Winslet, Looking for Mr. Goodbar, Mark Ruffalo, Rachel McAdams, Rooney Mara, Spotlight, Steve Jobs, Tarantino, The Danish Girl, The Hateful Eight, The Reader, Whiplash | Leave a comment

The Revenant

Posted on January 11, 2016 by Mark DuPré

Cold. Beautiful. Brutal. Fierce. Intense. Stunning. Violent. And that’s just Tom Hardy’s performance. But seriously, The Revenant (recent winner of the Golden Globe for Best Picture/Drama) is a far-reaching work of art that is worth seeing while falling just short … Continue reading →

Posted in Film Reviews, Newer films | Tagged All is Lost, Atonement, Birdman, Birdman or the Unexpected Virtue of Ignorance, Brooklyn, David Lean, Domhnall Gleeson, Dr. Zhivago, Emmanuel Lubezki, Ex Machina, Gladiator, Golden Globe, Gravity, John Wayne, Lawrence of Arabia, Leonardo DiCaprio, Montana, Old Boy, South Dakota, Star Wars: The Force Awakens, Terrence Malick, The Chronicles of Narnia: The Voyage of the Dawn Treader, The Maze Runner, The Passion of the Christ, The Revenant, The Searchers, The Tree of Life, To the Wonder, Tom Hardy, Will Poulter | Leave a comment

Brooklyn

Posted on January 3, 2016 by Mark DuPré

Brooklyn is a lovely, adult, gentle and well-made film that’s anchored by one of the best, if not the best, female performance of the year. In many ways, it’s the complete opposite of this year’s most raucous well-made film, Mad … Continue reading →

Posted in Film Reviews, Newer films | Tagged About Time, Atonement, Billy Elliott, Brendan Gleeson, Brief Encounter, Brooklyn, Closed Circuit, David Lean, Deborah Messing, Deliver Us from Evil, Dohmnall Gleeson, Educating Rita, Eilis, Emory Cohen, Ex Machina, Hanna, Harry Potter, Indian Summers, Intermission, Jim Broadbent, John Crowley, Julie Walters, Mad Max: Fury Road, mise-en-scene, New York Film Critics Circle, Saoirse Ronan, Smash, Spotlight, Star Wars: The Force Awakens, The Grand Budapest Hotel, The Lovely Bones | Leave a comment

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