Category Archives: Newer films

The Greatest Showman

The Greatest Showman is one of the great movie conundrums of 2017. It was tepidly received my most critics and savaged by others. Yet, over time, it’s become an unqualified popular and financial success. While Jumanji: Welcome to the Jungle … Continue reading →

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The Post

The Post has been called second-tier Spielberg, and that’s true. Of course, second-tier for SS means it’s more finely crafted than 95 percent of other films. But in spite of the political perspectives brought to the film by many viewers … Continue reading →

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Phantom Thread

Phantom Thread is exquisite. That’s neither a compliment nor a criticism, but just a description. It follows the story of a 1950’s London fashion designer described early on in the film as “too fussy.” That’s one way of describing him. … Continue reading →

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Darkest Hour

What I recently wrote about the 1961 film Two Women (https://film-prof.com/2017/12/31/two-women-1960-1961/) could just as easily applied to Darkest Hour—that the main point of interest was the central performance, but that the evolution of the director’s style was also worth noting. Darkest … Continue reading →

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Lady Bird

Lady Bird, for those my age, has nothing to do with a former president’s wife. It’s the story of a high school girl, beautifully acted, focusing on her relationship with boys and with her mother, also beautifully acted. In some … Continue reading →

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Three Billboards Outside Ebbing, Missouri

The film just received a slew of Golden Globe nominations, which is always both a compliment and something producing a mild guffaw to those familiar with the Globes’ history. But in this case, it seems the nominations are mostly deserved. … Continue reading →

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Quick Hits: Blade Runner 2049 and Thor: Ragnarok

Blade Runner 2049 Both these films—but especially Blade Runner 2049—deserve much more analysis than I provide here. But the first has been written about endlessly, and contains enough filmic (and literary) references to support a doctoral thesis. Like its predecessor, … Continue reading →

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Concussion

Concussion is a two-year-old film“based on” the true story of Dr. Bennet Omalu, a Pittsburgh pathologist who investigates the brain damage in former professional football players, and that is its main strength. His findings challenge the NFL to its core, … Continue reading →

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Fences

Sometimes life, responsibilities, and priorities conspire to prevent me from seeing a film I “should” see in the theater. Such was the case with Fences, which was often my number two choice to see, and never managed to make it … Continue reading →

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Victoria and Abdul

The greatest service this new trifle from director Stephen Frears (Philomena, The Queen) offers is to put forth a cinematic version of a hitherto unknown story of Queen Victoria’s friendly relationship with a much younger Indian man. The real story … Continue reading →

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