Author Archives: Mark DuPré

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About Mark DuPré

Retired (associate) pastor at a Christian church. Retired film professor at Rochester Institute of Technology. Husband for nearly 50 years to the lovely and talented Diane. Father to three children and father-in-law to three more amazing people. I continue some ministry duties even though retired from the pastoral staff position. Right now I'm co-writing a book, co-writing a serious musical drama, and am half-way through writing (on my own a month-long devotional.

Wicked

Seeing Wicked (a.k.a. Wicked Part 1) brings up old-fashioned terms, such as “movie-movie,” “beautifully mounted,” and “lovingly produced”. All are true, and all are doubled-edged swords, meaning simply that many of the film’s great strengths are also some of its … Continue reading →

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La Bohème

La Bohème is a silent film from 1926 starring the luminous Lillian Gish and the overactive John Gilbert, and is directed by King Vidor (Oscar nominations for directing The Crowd, Hallelujah, The Champ, The Citadel, and War and Peace). Note: … Continue reading →

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Gladiator II

So the big question of course is, “Are you entertained?”, which was the famous quote from the original Gladiator. For the sequel, the answer is basically yes. But being an entertaining movie is not the same as being a great … Continue reading →

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Conclave

Conclave is a beautifully directed, stunningly gorgeous, carefully sound-designed, very well acted production, and is also an ultimate disappointment. For those that were curious but haven’t yet decided to see the film, it’s the story of the death of a … Continue reading →

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Saturday Night

OK, what movie has dazzling cinematography, contains at least two supporting performances that could easily be nominated for Oscars and came and went so fast that almost no one saw it? Yes, if you read the title here, it’s a … Continue reading →

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Twisters

Twisters Bottom line: Twisters is the perfect movie to see in the theater if you want to just kick back and let it take you on its ride, OR it’s the perfect movie to wait to see until it hits … Continue reading →

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From Prohibiting to Demanding: The Newest Unnecessary and Anti-Art Regulations from the Academy of Motion Picture Arts and Sciences

Most folks with even a cursory knowledge of American film history knows about the Hays Code. In brief: the Hays Code was implemented by the film industry in the early 1930s primarily to avoid government censorship and to attempt to … Continue reading →

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Quick Takes on Four Recent Rom-Coms: Anyone But You, The Idea of You, A Family Affair, and Hit Man

I remember often telling my college film class students that they really didn’t know how wonderful romantic comedies could be, as we were then living in an age of wretched films in that genre. I emphasized that though it might … Continue reading →

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A Quiet Place: Day One

A Quiet Place: Day One isn’t at all what one might expect based on the first two films. It is altogether different in emphasis, tone, and degree of warmth. It’s a well-crafted and well-acted prequel to the other two films, … Continue reading →

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Stars Are Born: A Comparison of the Five “A Star is Born” Films

There isn’t much of any interest in movie theaters these days, so it’s a good time to remind everyone of all the classics available to enjoy. In fact, it’s always a good time to view the classics. So here is … Continue reading →

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