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Categories
Category Archives: Film-Related Articles
The 13 Worst “Best Picture” Winners
The Oscars started out well, albeit being a group initially designed to keep union activity away, and to continue to grow Louis B. Mayer’s influence in Hollywood. The first year, they even had to address the “popular pic vs. art … Continue reading →
Posted in Film-Related Articles
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Tagged A Place in the Sun, A Star is Born, A Streetcar Names Desire, All the King's Men, All the President's Men, American Beauty, An American in Paris, Argo, Around the World in 80 Days, Bradley Cooper, Braveheart, Cavalcade, Chicago, Coal Miner's Daughter, CODA, Crash, Dances with Wolves, Double Indemnity, Driving Miss Daisy, Dune, Forrest Gump, Gaaslight, Ghandi, Giant, Going My Way, Green Book, Guillermo del Toro, Hamlet, Hellboy, High Noon, How Green Was My Valley, Network, Oliver!, Ordinary People, Pan's Labyrinth, Raging Bull, Rocly, Roma, Saving Private Ryan, singin' in the rain, Taxi Driver, Tess, The Artist, The Broadway Melody, The Elephant Man, The Greatest Show on Earth, The King and I, The Power of the Dog, The Quiet Man, The Shape of Water, The Shawshank Redemption, West Side Story, You Can't Take it with You
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From Prohibiting to Demanding: The Newest Unnecessary and Anti-Art Regulations from the Academy of Motion Picture Arts and Sciences
Most folks with even a cursory knowledge of American film history knows about the Hayes Code. In brief: the Hayes Code was implemented by the film industry in the early 1930s primarily to avoid government censorship and to attempt to … Continue reading →
Posted in Film-Related Articles
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Tagged A Streetcar Named Desire, Academy Award, Baby Face, Close Encounters of the Third Kind, Freaks, Hayes Code, It Happened One Night, Jaws, Mae West, Oscar, Scarface, Schindler's List, SNL, The Bad Seed, The Godfather, The Goodbye Girl, The Letter
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Stars Are Born: A Comparison of the Five “A Star is Born” Films
There isn’t much of any interest in movie theaters these days, so it’s a good time to remind everyone of all the classics available to enjoy. In fact, it’s always a good time to view the classics. So here is … Continue reading →
Posted in Film-Related Articles, Newer films, Older Films
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Tagged 1932, 1937, 1954, 1976, 2018, A Star is Born, Adela Rogers St. Johns, Adolphe Menjou, Andy Devine, Barbara Bennett, Barbra Streisand, Bat, Batman, Bing Crosby, Bradley Cooper, Climb Every Mountain, Constance Bennett, D.W. Griffith, Eddie Rochester Anderson, Evergreen, Frank Pierson, Frederic March, Gene Fowler, George Cukor, Gone with the Wind, Humphrey Bogart, James Mason, Jane Murfin, Janet Gaynor, Joan Bennett, Judy Garland, Kris Kristofferson, Lady Gaga, Lionel Stander, Louise Beavers, Lowell Sherman, Maestro, Marlon Brando, May Robson, Meet Me in St. Louis, On the Waterfront, Owen Moore, Paul Williams, Peggy Wood, Rebecca, RKO Pathé, Robert Carson, Sunrise, Sunset Boulevard, The Best Years of Our Lives, The Caine Mutiny, The Country Girl, The High and the Mighty, The Ox-Bow Indcident, The Wizard of Oz, William Wellman
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2024 Oscar Show
I would have thought that a week after the Oscars, there would be nothing left to remember of the ceremony. No real streaker (though we had an imitation one from John Cena), no wrong Best Picture announcement, and especially no … Continue reading →
Posted in Film-Related Articles
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Tagged Al Pacino, barbie, Billie Eilish, Chris Rock, Christopher Nolan, Cillian Murphy, Dunkirk, Emma Stone, Finneas O'Connell, I'm Just Ken, Jimmy Kimmel, John Cena, Jonathan Glazer, Killers of the Flower Moon, Lily Gladstone, Maestro, Mark Ruffalo, Murder by Numbers, Oppenheimer, Poor Things, Robert Downey Jr., Ryan Gosling, The Zone of Interest, What Was I Made For?, Will Smith
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Oscar Predictions 2024
This year’s Oscar show is likely to be a snooze fest. There might be a surprise here and there, but most folks feel that the awards are already set in stoneSo in the interest of time, and with the reality … Continue reading →
2024 Oscar Nominations: First Thoughts
There’s nothing terribly unexpected about this year’s crop of Oscar nominations. There are a few surprises, of course, some of which are called snubs (more on that later), and some simply indicate the more international flavor the Academy has taken … Continue reading →
Posted in Film-Related Articles
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Tagged awards, barbie, film, Oppenheimer, Oscars
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2023 Oscar Predictions
Until recently, there has been no film that has captured critical, awards, and audience consensus and has thus seemed bound for Oscar glory. That’s changed in the past month or so, as Everything Everywhere All at Once has landed on … Continue reading →
Posted in Film-Related Articles
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Tagged All About Eve, All Quiet on the Western Front, Angela Bassett, Anthony Hopkins, Applause, Austin Butler, Avatar: The Way of Water, Babylon, Bette Davis, Black Panther: Wakanda Forever, Born Yesterday, Brendan Fraser, Cate Blanchett, Daniel Kwan, Daniel Scheinert, Elvis, Everything Everwhere All at Once, Fire of Love, Gloria Swanson, Guillermo del Toro's PInocchio, Jamie Lee Curtis, Judy Holliday, Ke Huy Quan, Martin McDonagh, Michelle Yeoh, Naatu Naatu, Navalny, Oscars, Parasite, RRR, Sarah Polley, Stephanie Hsu, Sunset Boulevard, Tar, Tell It Like a Woman, The Banshees of Inisherin, The Fabelmans, The Father, The Whale, Top Gun: Maverick, Women Talking
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First Thoughts on 2023 Oscar Nominations
The 2023 Academy Award nominations came out today, and the first wave of published responses will be who got an unexpected nomination, and who got “snubbed,” a ridiculous phrase for an imprecise idea. My thoughts, however, turn to who got … Continue reading →
Posted in Film-Related Articles
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Tagged All About Eve, All Quiet on the Western Front, Angela Bassett, Argentina 1985, Avatar: The Way of Water, Babylon, Barry Keoghan, Baz Luhrmann, Black Panther: Wakanda Forever, Born Yesterday, Brendan Fraser, Brendan Gleeson, Cate Blanchett, Catherine Martin, Claudio Miranda, Daniel Kwan, Daniel Sheinert, Diane Warren, Disney's Pinocchio, Dos Oruguitas, Elvis, Encanto, Everything Everwhere All at Once, Glass Onion: A Knives Out Mystery, Guillermo del Toro, Guillermo del Toro's PInocchio, Jamie Lee Curtis, Ke Huy Quan, Last Picture Show, Lift Me Up, Martin McDonagh, Michelle Yeoh, My Heart Will Go On, Naatu Naatu, Razzie nominations, RRR, Sarah Polley, Stephanie Hsu, Steven Spielberg, Sunset Boulevard, Tár, Tell It Like a Woman, The Bansees of Inisherin, The Daniels, The Fabelmans, The Whale, Titanic, Top Gun: Maverick, We Don't Talk About Bruno, Women Talking
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2022 Oscar Thoughts and Predictions
Rumor has it we’re “back to normal” this year with everyone gathered in an auditorium, and with three—count ‘em!—hosts. The film world is still recovering from both COVID and the rise of streaming services with good films. This will likely … Continue reading →
Posted in Film-Related Articles
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Tagged Academy Awards, Andrew Garfield, Ariana DeBose, Aunjanue Ellis, Being the Ricardos, Belfast, Benedict Cumberbatch, Ciaran Hinds, CODA, Denzel Washington, Dos Oruguitas, Drive My Car, Dune, Encanto, Flee, Four Good Days, Green Book, Hans Zimmer, J.K. Simmons, Jane Campion, Javier Bardem, Jesse Plemmons, Jessie Buckley, Jonny Greenwood, Judi Dench, Kenneth Branagh, King Richard, Kirsten Dunst, Kodi Smit-McPhee, Kristen Stewart, Let it Go, Licorice Pizza, Lunana: A Yak in the Classroom, Nicole Kidman, Nightmare Alley, Olivia Colman, Oscars, Parallel Mothers, Paul Thomas Anderson, Penelope Cruz, Ryusuke Hamaguchi, Somehow You Do, Spencer, Steven Spielbert, Summer of Soul, The Academy Award Outstanding Achievement in Popular Film, The Eyes of Tammy Faye, The Hand of God, The Lost Daughter, The Mitchells vs. the Machines, The Power of the Dog, The Tragedy of Macbeth, The Worst Person in the World, Tick Tick...Boom, Troy Kotsur, We Don't Talk About Bruno, West Side Story, Will Smith
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Thoughts on 2022 Oscar Nominations
This year’s crop is a mixed bag, with some pleasant and unexpected surprises, and some that seem tired and just plain off. But generally, the Academy tended to share the love, and it’s becoming more obvious that the new members … Continue reading →