Tag Archives: A Streetcar Named Desire

If then, maybe… How Oscar can get it wrong and what can happen when it does

Random thoughts on a series of Oscar “what-ifs”: 1939—Jimmy Stewart should have won for Mr. Smith Goes to Washington or maybe Clark Gable for Gone with the Wind. The winner that year was Robert Donat for Goodbye, Mr. Chips in … Continue reading →

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The Oscar “Consolation Prize” Awards: Making Up for Past Mistakes

Film awards season is upon us officially with the Golden Globe awards, and while the various minor award-giving groups seem to be multiplying like shmoos, there is just one Great Prize—the Academy Awards. There is an annual cottage industry working … Continue reading →

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From Prohibiting to Demanding: The Newest Unnecessary and Anti-Art Regulations from the Academy of Motion Picture Arts and Sciences

Most folks with even a cursory knowledge of American film history knows about the Hays Code. In brief: the Hays Code was implemented by the film industry in the early 1930s primarily to avoid government censorship and to attempt to … Continue reading →

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A Matter of Life and Death/Stairway to Heaven (1946)

I took another trip to the 1940s, and to England, and to something like heaven. But really, I was taking another trip to the land of Michael Powell and Emeric Pressburger (see reviews of Black Narcissus and The Red Shoes), … Continue reading →

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#OscarsSoSilly

The Oscars should be taken seriously on a few levels. Sometimes they actually reward and encourage great work. At other times, they at least call attention to work that might otherwise be ignored. They can jumpstart a stalling career (or … Continue reading →

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Strangers on a Train (1951)

Strangers on a Train, directed by Alfred Hitchcock, is more than 60 years old and is as energetic, smart and fresh as anything released this year. Catching it on TV recently, I was impressed all over again with the film—one … Continue reading →

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