Tag Archives: It Happened One Night

From Prohibiting to Demanding: The Newest Unnecessary and Anti-Art Regulations from the Academy of Motion Picture Arts and Sciences

Most folks with even a cursory knowledge of American film history knows about the Hayes Code. In brief: the Hayes Code was implemented by the film industry in the early 1930s primarily to avoid government censorship and to attempt to … Continue reading

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Since You Went Away (1944)

I thought for years that I had been missing a “must see” film, one produced by Gone with the Wind producer David O. Selznick, nominated for nine Oscars, and featuring, as the trailer tells us, “The Most Distinguished Cast of … Continue reading

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Dancing Lady (1933)

For a film historian and even for just a film buff, there is almost too much going on in 1933’s Dancing Lady. It’s pre-Code, coming at the end of 1933, which already makes it worthy of special attention, i.e., what … Continue reading

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A Trip to the ‘30s: Peg O’ My Heart, Lady for a Day, Morning Glory, and King of Jazz

Saw a trio of films that turned to be central to the 1933 Best Actress race. Katherine Hepburn won her first Oscar for a somewhat strange performance in Morning Glory, playing an actress who goes from young, innocent, naïve, and … Continue reading

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#OscarsSoSilly

The Oscars should be taken seriously on a few levels. Sometimes they actually reward and encourage great work. At other times, they at least call attention to work that might otherwise be ignored. They can jumpstart a stalling career (or … Continue reading

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The Thin Man (1934)

At once primitive and shockingly modern is one way to describe the 1934 classic, The Thin Man. It seems creaky and hopelessly old-fashioned in the way it sets up its crime story. Then we get to the heart of the … Continue reading

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