Tag Archives: Charlton Heston

Tombstone (1993)

Posted on December 12, 2020 by Mark DuPré

I was speaking with one of my sons the other day, and he made a Tombstone reference. I confessed that I hadn’t seen the film, and he humorously dropped his phone and generally expressed his horror and disappointment. The gauntlet … Continue reading →

Posted in Film Reviews, Older Films | Tagged Bill Paxton, Billy Bob Thornton, Billy Zane, Charlton Heston, Cobra, Dana Delaney, Doc Holliday, George Cosmatos, Jason Priestly, John Corbett, Jon Tenney, Kevin Jarre, Kurt Russell, Leviathan, Michael Biehn, Michael Rooker, Powers Boothe, Rambo: First Blood Part II, Sam Elliott, Stephen Lang, Thomas Haden Church, Tombstone, Val Kilmer, Wyatt Earp | Leave a comment

Two ’50s Films That “Shouldn’t Have Won” Best Picture

Posted on November 28, 2020 by Mark DuPré

(Note: It’s been a while since I’ve written. There was some pandemic going around that seems to have messed things up a while. Plus I’ve been busier than usual. But I hope that retiring from teaching, which I’ve just done, … Continue reading →

Posted in Uncategorized | Tagged Anastasia, Argosy Pictures, Around the World in 80 Days, Baby Doll, Betty Hutton, Bus Stop, Cantinflas, Cary Grant, Cecil B. DeMille, Charlton Heston, Come Back, Cornel Wilde, David Niven, Dorothy Lamour, Fred Zinnemann, Friendly Persuasion, George Barnes, Giant, Gloria Grahame, Golden Globes, High Noon, I Vitelloni, Ivanhoe, James Stesart, Jean Hagen, John Ford, Joseph McCarthy, La Strada, Little Sheba, Lust for Life, Michael Todd, Moby Dick, My Cousin Rachel, Pia Zadora, Republic Pictures, Richard III, Seven Samurai, Shirley MacLaine, singin' in the rain, Technicolor, The Bad and the Beautiful, The Greatest Show on Earth, The King and I, The Quiet Man, The Searchers, The Ten Commandments, War and Peace, Written on the Wind | Leave a comment

When Knighthood was in Flower, Ben-Hur: A Tale of the Christ, and The Crowd

Posted on November 12, 2017 by Mark DuPré

My voyages back into the cinema of yesterday have brought me to a few fascinating places lately. In chronological order of their initial release, I saw: When Knighthood Was in Flower (1922), Ben-Hur: A Tale of the Christ (1925) and … Continue reading →

Posted in Film Reviews, Older Films | Tagged Ben-Hur: a Tale of the Christ, Charlton Heston, Citizen Kane, Eleanor Boardman, Henry VIII, Intolerance, James Murray, Jean-Luc Godard, King Vidor, Mae Marsh, Marion Davies, Mary Tudor, Ramon Navarro, Susan Alexander Kane, The Big Parade, The Crowd, The Jazz Singer, The Thin Man, two-strip Technicolor, When Knighthood Was in Flower, William Powell | Leave a comment

#OscarsSoSilly

Posted on February 8, 2017 by Mark DuPré

The Oscars should be taken seriously on a few levels. Sometimes they actually reward and encourage great work. At other times, they at least call attention to work that might otherwise be ignored. They can jumpstart a stalling career (or … Continue reading →

Posted in Film-Related Articles | Tagged #OscarsSoSilly, #OscarsSoWhite, A Beautiful Mind, A Place in the Sun, A Star is Born, A Streetcar Named Desire, African Queen, Airport, Al Pacino, All About Eve, All the President's Men, An American in Paris, Anne Baxter, Around the World in 80 Days, Ben Hur, Best Actress, Best Supporting Actress, Bette Davis, Bing Crosby, Born Yesterday, BUtterfield 8, Capote, Cecil B. DeMille, Chaplin, Charles Laughton, Charlton Heston, Citizen Kane, City Slickers, Clark Gable, Claudette Colbert, Cocoon, Cold Mountain, Coquette, Dances with Wolves, Dangerous, Denzel Washington, Dial M for Murder, Don Ameche, Donna Reed, Driving Miss Daisy, Elizabeth Taylor, Ellen Burstyn, Erin Brockovich, Franchot Tone, George Chakiris, George Clooney, Ginger Rogers, Going My Way, Golden Globes, Gone with the Wind, Goodbye Mr. Chips, Grace Kelly, Grace Moore, Greer Garson, Hallie Barry, Hattie McDaniel, Helen Hayes, Henry Fonda, Hollywood Foreign Press, Humphrey Bogart, It Happened One Night, Jack Lemmon, Jack Palance, James Steward, Jean Dujardin, Jessica Tandy, Jezebel, John Ford, John Mills, John Wayne, Judy Garland, Judy Holiday, Julia Roberts, Julianne Moore, Kate Winslet, Kitty Foyle, La Vie en Rose, Leonard DiCaprio, Marion Cotillard, Marlon Brando, Mary Pickford, McLaglen, Monster's Ball, Mr. Smith Goes to Washington, Mutiny on the Bounty, Myrna Loy, Nicole Kidman, Norma Shearer, Of Human Bondage, Olivier, On Golden Pond, On the Waterfront, Orson Welles, Oscar, Oscars, Out of Africa, Paul Newman, Philip Seymour Hoffman, Rear Window, Rebecca, Renee Zellweger, Requiem for a Dream, Robert Donat, Robert Duvall, Rocky, Russell Crowe, Ryan’s Daughter, Save the Tiger, Scent of a Woman, Still Alice, Sunset Boulevard, Syriana, Tender Mercies, The Artist, The Caine Mutiny, The Color of Money, The Country Girl, The Grapes of Wrath, The Great Dictator, The Greatest Show on Earth, The Hours, The Informer, The Philadelphia Story, The Reader, The Revenant, The Shootist, The Sting, The Thin Man, Training Day, True Grit, Victor, West Side Story, William Powell | Leave a comment

An open letter to the creators of Exodus: Gods and Kings

Posted on January 12, 2015 by Mark DuPré

Note: Normally, I write a critique of a film in the standard way. After viewing Exodus: Gods and Kings, I felt a note to the director, screenwriters and producers of the film seemed more in order. Dear Mr. Scott, Myriad … Continue reading →

Posted in Film Reviews, Newer films | Tagged Ben Kingsley, Charlton Heston, Christian Bale, DeMille, Exodus: Gods and Kings, Joel Edgerton, Mel Gibson, Moses, Noah, Pharoah, Ramses, Ridley Scott, Sigourney Weaver, Terminators, The Passion of the Christ, The Ten Commandments | Leave a comment

Tag Archives: Charlton Heston

Tombstone (1993)

Two ’50s Films That “Shouldn’t Have Won” Best Picture

When Knighthood was in Flower, Ben-Hur: A Tale of the Christ, and The Crowd

An open letter to the creators of Exodus: Gods and Kings

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