Tag Archives: Orson Welles

Mank and Ma Rainey’s Black Bottom

Posted on December 21, 2020 by Mark DuPré

Mank Two films that are sure to be receiving multiple Oscar nominations have recently been released. They were originally supposed to be seen in theaters (remember theaters?), but have landed on Netflix instead. They couldn’t be more different, except for … Continue reading →

Posted in Film Reviews, Newer films | Tagged A Letter to Three Wives, All About Eve, Amanda Seyfried, Ben Mankiewicz, Chadwick Boseman, Citizen Kane, David Fincher, Frank Merriam, Gary Oldman, George C. Wolfe, George Jazz Band, Heath Ledger, Herman Mankiewicz, Jack Fincher, Joseph Mankiewicz, Josh Mankiewicz, L.B. Mayer, Lackawanna Blues, Les Miserables, Ma Rainey's Black Bottom, Mamma Mia!, Mank, Marion Davies, Netflix, Orson Welles, Pauline Kael, Philip Seymour Hoffman, River Phoenix, The Immortal Life of Henrietta Lacks, Viola Davis, William Randolph Hearst | Leave a comment

#OscarsSoSilly

Posted on February 8, 2017 by Mark DuPré

The Oscars should be taken seriously on a few levels. Sometimes they actually reward and encourage great work. At other times, they at least call attention to work that might otherwise be ignored. They can jumpstart a stalling career (or … Continue reading →

Posted in Film-Related Articles | Tagged #OscarsSoSilly, #OscarsSoWhite, A Beautiful Mind, A Place in the Sun, A Star is Born, A Streetcar Named Desire, African Queen, Airport, Al Pacino, All About Eve, All the President's Men, An American in Paris, Anne Baxter, Around the World in 80 Days, Ben Hur, Best Actress, Best Supporting Actress, Bette Davis, Bing Crosby, Born Yesterday, BUtterfield 8, Capote, Cecil B. DeMille, Chaplin, Charles Laughton, Charlton Heston, Citizen Kane, City Slickers, Clark Gable, Claudette Colbert, Cocoon, Cold Mountain, Coquette, Dances with Wolves, Dangerous, Denzel Washington, Dial M for Murder, Don Ameche, Donna Reed, Driving Miss Daisy, Elizabeth Taylor, Ellen Burstyn, Erin Brockovich, Franchot Tone, George Chakiris, George Clooney, Ginger Rogers, Going My Way, Golden Globes, Gone with the Wind, Goodbye Mr. Chips, Grace Kelly, Grace Moore, Greer Garson, Hallie Barry, Hattie McDaniel, Helen Hayes, Henry Fonda, Hollywood Foreign Press, Humphrey Bogart, It Happened One Night, Jack Lemmon, Jack Palance, James Steward, Jean Dujardin, Jessica Tandy, Jezebel, John Ford, John Mills, John Wayne, Judy Garland, Judy Holiday, Julia Roberts, Julianne Moore, Kate Winslet, Kitty Foyle, La Vie en Rose, Leonard DiCaprio, Marion Cotillard, Marlon Brando, Mary Pickford, McLaglen, Monster's Ball, Mr. Smith Goes to Washington, Mutiny on the Bounty, Myrna Loy, Nicole Kidman, Norma Shearer, Of Human Bondage, Olivier, On Golden Pond, On the Waterfront, Orson Welles, Oscar, Oscars, Out of Africa, Paul Newman, Philip Seymour Hoffman, Rear Window, Rebecca, Renee Zellweger, Requiem for a Dream, Robert Donat, Robert Duvall, Rocky, Russell Crowe, Ryan’s Daughter, Save the Tiger, Scent of a Woman, Still Alice, Sunset Boulevard, Syriana, Tender Mercies, The Artist, The Caine Mutiny, The Color of Money, The Country Girl, The Grapes of Wrath, The Great Dictator, The Greatest Show on Earth, The Hours, The Informer, The Philadelphia Story, The Reader, The Revenant, The Shootist, The Sting, The Thin Man, Training Day, True Grit, Victor, West Side Story, William Powell | Leave a comment

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Mank and Ma Rainey’s Black Bottom

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