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Categories
Tag Archives: The Artist
The 13 Worst “Best Picture” Winners
The Oscars started out well, albeit being a group initially designed to keep union activity away, and to continue to grow Louis B. Mayer’s influence in Hollywood. The first year, they even had to address the “popular pic vs. art … Continue reading →
Posted in Film-Related Articles
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Tagged A Place in the Sun, A Star is Born, A Streetcar Names Desire, All the King's Men, All the President's Men, American Beauty, An American in Paris, Argo, Around the World in 80 Days, Bradley Cooper, Braveheart, Cavalcade, Chicago, Coal Miner's Daughter, CODA, Crash, Dances with Wolves, Double Indemnity, Driving Miss Daisy, Dune, Forrest Gump, Gaaslight, Ghandi, Giant, Going My Way, Green Book, Guillermo del Toro, Hamlet, Hellboy, High Noon, How Green Was My Valley, Network, Oliver!, Ordinary People, Pan's Labyrinth, Raging Bull, Rocly, Roma, Saving Private Ryan, singin' in the rain, Taxi Driver, Tess, The Artist, The Broadway Melody, The Elephant Man, The Greatest Show on Earth, The King and I, The Power of the Dog, The Quiet Man, The Shape of Water, The Shawshank Redemption, West Side Story, You Can't Take it with You
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#OscarsSoSilly
The Oscars should be taken seriously on a few levels. Sometimes they actually reward and encourage great work. At other times, they at least call attention to work that might otherwise be ignored. They can jumpstart a stalling career (or … Continue reading →
Posted in Film-Related Articles
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Tagged #OscarsSoSilly, #OscarsSoWhite, A Beautiful Mind, A Place in the Sun, A Star is Born, A Streetcar Named Desire, African Queen, Airport, Al Pacino, All About Eve, All the President's Men, An American in Paris, Anne Baxter, Around the World in 80 Days, Ben Hur, Best Actress, Best Supporting Actress, Bette Davis, Bing Crosby, Born Yesterday, BUtterfield 8, Capote, Cecil B. DeMille, Chaplin, Charles Laughton, Charlton Heston, Citizen Kane, City Slickers, Clark Gable, Claudette Colbert, Cocoon, Cold Mountain, Coquette, Dances with Wolves, Dangerous, Denzel Washington, Dial M for Murder, Don Ameche, Donna Reed, Driving Miss Daisy, Elizabeth Taylor, Ellen Burstyn, Erin Brockovich, Franchot Tone, George Chakiris, George Clooney, Ginger Rogers, Going My Way, Golden Globes, Gone with the Wind, Goodbye Mr. Chips, Grace Kelly, Grace Moore, Greer Garson, Hallie Barry, Hattie McDaniel, Helen Hayes, Henry Fonda, Hollywood Foreign Press, Humphrey Bogart, It Happened One Night, Jack Lemmon, Jack Palance, James Steward, Jean Dujardin, Jessica Tandy, Jezebel, John Ford, John Mills, John Wayne, Judy Garland, Judy Holiday, Julia Roberts, Julianne Moore, Kate Winslet, Kitty Foyle, La Vie en Rose, Leonard DiCaprio, Marion Cotillard, Marlon Brando, Mary Pickford, McLaglen, Monster's Ball, Mr. Smith Goes to Washington, Mutiny on the Bounty, Myrna Loy, Nicole Kidman, Norma Shearer, Of Human Bondage, Olivier, On Golden Pond, On the Waterfront, Orson Welles, Oscar, Oscars, Out of Africa, Paul Newman, Philip Seymour Hoffman, Rear Window, Rebecca, Renee Zellweger, Requiem for a Dream, Robert Donat, Robert Duvall, Rocky, Russell Crowe, Ryan’s Daughter, Save the Tiger, Scent of a Woman, Still Alice, Sunset Boulevard, Syriana, Tender Mercies, The Artist, The Caine Mutiny, The Color of Money, The Country Girl, The Grapes of Wrath, The Great Dictator, The Greatest Show on Earth, The Hours, The Informer, The Philadelphia Story, The Reader, The Revenant, The Shootist, The Sting, The Thin Man, Training Day, True Grit, Victor, West Side Story, William Powell
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Red Tails
Red Tails is rousing, brave, extremely well intentioned, a throwback, and historically revisionist. It’s the tale of the Tuskegee Airmen, African-American fighter pilots in World War II. According to producer George Lucas, the film was to be a throwback to … Continue reading →
Film stuff by Mark 